“Occurrence is the third, and at least for now the last, in a hugely illuminating series devoted to works by contemporary Icelandic composers, as performed by Iceland’s 70-year-old national orchestra. Speaking for myself – and surely for many others, as well – the series has been a milestone project, one that any conscientious collector of symphonic music simply must have on the shelf. Across three CDs now, Sono Luminus has capitalized shrewdly on swelling global interest in the music of Daníel Bjarnason and Anna Thorvaldsdottir, using their works as a means by which to introduce seven more composers with original, substantial voices.

Three of the composers represented on Occurrence return from previous installments in the series. In addition to Bjarnason – who also has served as an insightful, sympathetic conductor throughout – we hear new works from Þuríður Jónsdóttir, whose Flow and Fusion opened the initial disc, Recurrence, and from Haukur Tómasson, whose Piano Concerto No. 2 was a highlight of the second release in the series, Concurrence.

These repeat engagements prove serendipitous, showing off fresh facets of these newly familiar creators. One, Bjarnason’s own Violin Concerto, scarcely requires introduction, having proved its merits and attractions already on concert platforms around the globe since its 2017 world premiere at the Hollywood Bowl. Pekka Kuusisto, the violinist for whom the piece was written, demonstrates his consummate skill as a virtuoso, a collaborator and – not least – a whistler, and the orchestral accompaniment, no surprise, is vivid and alert.

Where in Flow and Fusion Þuríður Jónsdóttir fashioned an electronic component derived from sounds produced by orchestral instruments, in Flutter she invites the outside world in. Commissioned to create a piece marking the centenary of Olivier Messiaen, who famously incorporated birdsong into his music through transcription, Jónsdóttir accompanies solo flute and orchestra with sampled grasshoppers and crickets—who prove charming accompanists.

A similar continuity of technique and spirit applies in Tómasson’s In Seventh Heaven, which, like the previously heard piano concerto, eschews athletic display and histrionic gestures in favor of contin- uously shifting textures. The music, composed for the opening of Reykjavik’s stunning Harpa Concert Hall, shimmers, glints, recedes, and jolts, transforming with the elemental unpredictability of light playing across Harpa’s dramatic crystalline exterior.

Each of the two newcomers to the ISO Project heard on Occurrence, Magnús Blöndal Jóhannsson and Veronique Vaka, reveals still further aspects of the ongoing story that is Icelandic music. Jóhannsson (1925-2005), a composer, pianist, conductor, and radio producer who completed his education at the Juilliard School, is viewed as Iceland’s first 12-tone composer, and among its electronic-music pioneers, as well. But in Adagio, composed in 1980 after a silence of nearly a decade, Jóhannsson abandoned his previous tools, embracing instead a melancholy lyricism all his own.

If Jóhannsson’s piece suggests that Icelandic music flourishes when a creator dispenses with imported techniques and idioms, Vaka’s Lendh offers proof that Iceland will gladly welcome a newcomer who arrives ready to embrace its spirit and custom. Vaka, a Canadian composer and cellist, completed her master’s degree in Reykjavik, and then settled in southern Iceland. She based Lendh on her impressions of Krýsuvík, a gorgeously rugged geothermal area 35 kilometers away from the capital.

“I have analysed the geologic and geographic features of the area,” Vaka wrote in a program note that accompanied the work’s premiere in 2019, “and transformed the landscape as I perceive it into musical notation.” If the question of whether a country can be heard in the sound of its music is one that has run throughout the three volumes of The ISO Project, the precipitous contours and roiling energy of Lendh provide a potent affirmation.”

— Steve Smith

1. Violin Concerto - Pekka Kuusisto (23:39)
Daníel Bjarnason

2. Lendh (11:37)
Veronique Vaka

3. In Seventh Heaven (7:13)
Haukur Tómasson

4. Flutter - Mario Caroli (20:51)
Thuridur Jónsdóttir

5. Adagio (7:19)
Magnús Blöndal Jóhannsson

Total Time: (70:42)

Total time: 70:42
Release date: January 22nd, 2021
UPC: 053479224323

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Quotes & Reviews

“featuring Finish soloist Pekka Kuusisto, who injects homey whistling and folk-ish overtones through rustic pizz on his retuned instrument, occasionally presents the sort of meditative drones that we’ve come to associate with a lot of new music from Iceland, but he also draws upon a rumbling orchestral drama and stentorian polyphony that isn’t often heard in the country’s modern music. Veronique Vaka… deploys the expansive range of a symphony to elucidate her sonic portrait of a geothermal region of Krýsuvík, drifting between serenity and tension.” - Best of Bandcamp, Contemporary Classical Feb. 2021

“exploring landscape and soundscape with extraordinary imagination.” - Gramophone Editors Choice

“An interesting album… and one worth hearing” - Lynn René Bayley, Art Music Lounge

“certainly one of the new season’s best orchestral offerings.” - Richard Allen, A Closer Listen

“I had no idea about the strength of the Icelandic classical music scene. These three discs [Recurrence, Concurrence, Occurrence] are a perfect entry point to a fascinating world of music you’ll want to immerse yourself in like a hot spring.” - Phil Freeman, Burning Ambulance

“Let me start without hesitation by considering the Blu-ray 5.1 surround layer on the additional disc in this package… I have repeatedly praised Sono Luminus (and their producer extraordinaire Dan Merceruio) for the outstanding engineering on their audiophile releases but putting these five works through their paces in surround mode was unusually thrilling. One genuinely ‘feels’ the earth move in Veronique Vaka’s strangely addictive Lendh, whilst Magnús Blöndal Jóhannsson’s less-is-more Adagio for chamber orchestra is a rare example of intimate music which gains from this kind of spatial presentation. Both Bjarnason’s Violin Concerto and Tómasson’s In Seventh Heaven are sufficiently exciting to sound superb in stereo or surround; yet it’s Þuríður Jónsdóttir’s enchanting flute concerto Flutter which is the real revelation in 5.1. In comparison to the two-speaker option (which still sounds awesome) the textures open up to reveal a wealth of unsuspected timbral detail and spatial variety.” - Richard Hanlon, MusicWeb International